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Third Culture Film Festival presents Art in Motion

 Hundreds of drones painting stories across the night sky in a mesmerising blend of light, sound, and narration by Māori artists will return to the Rotorua Lake Front for the second year in a row.


Matariki is the Māori name for the star cluster also known as the Pleiades. It's a group of stars that are physically close to each other in space, rather than just appearing close from our perspective on Earth. In Western astronomy, it's known as the Pleiades or the Seven Sisters.


For Māori, the rising of Matariki in the winter sky signals the start of the Māori New Year, a time for celebration, reflection, and planning. 


 The ARONUI performance is set to begin at 8pm on Friday, June 20 and honours those who have passed in the last year since the rising and setting of Matariki.


Mataia Keepa reo Māori expert, Te Arawa artist
Mataia Keepa, Rotorua-based Aronui tohunga reo on the creative team.

“It’s more than a show — it’s a spiritual moment,” says Mataia Keepa, the Rotorua-based tohunga reo on the creative team. “It’s a time to reflect, to grieve, and to remember together under one sky.”


Keepa, a kaihaka [performer], Māori language and Matariki expert was one of the key artists involved in creating the show. He says events like this make Māori knowledge easily accessible:


“It’s important to make mātauranga Māori consumable and appealing, that’s what the drone show does. It makes a spectacle of Māori knowledge that reminds us all of the existence of Māori and how important mātauranga Māori is to the world.”


Last year, Aronui’s drone show attracted over 30,000 people, combining cutting-edge technology with ancient knowledge in a world-first tribute to the Māori New Year. Aronui Chief Executive and Artistic Director Cian Elyse White says the positive response from the community inspired a bolder return.

ARONUI Matariki Drone Show, Rotorua Lake Front. Photo/ Andrew Warner
ARONUI Matariki Drone Show, Rotorua Lake Front. Photo/ Andrew Warner

“The energy last year was electric- there was such a positive vibe in the city, with people travelling from across the motu [country] to see the show.


"Matariki holds deep meaning for Māori, and it’s wonderful to see the new year being embraced by the wider community”. 


This year, tohunga reo/ taonga puoro artist Dr. Anaha Hiini joins the team, crafting a live soundscape using traditional Māori instruments to accompany the visual storytelling alongside taonga puoro artist Riki Bennett.


For the first time, the entire performance- narrative and music- will be broadcast live on Te Arawa FM, expanding its reach across the region.


ARONUI Matariki Drone Show. Video/Kaponga Productions

“Arts are a rongoā (a medicine) that connects all peoples. With what’s happening around the world right now, we need art as an avenue to express ourselves, to tell our stories, in our own backyard, on our terms.


"Art gives voice to the silenced, it protests quietly and profoundly, and brings inspiration in times of hopelessness,” White said.


Matariki holds deep significance for the Māori community, but the now-established public holiday is for everyone that lives in or has a connection to Aotearoa. 


It's a time to honour those who have passed by releasing their spirits to join the stars in the sky. It's also a moment for reflection, gratitude to the gods for the harvest, and sharing the season's bounty with loved ones. 


This year, drones would make new shapes to capture these elements of Matariki. Last year's show included depictions of Te Waka o Rangi releasing spirits into the heavens, and environmental symbols like pōhutukawa and puawānanga flowers, blue moki, and the koekoeā, also known as the Pacific long-tailed cuckoo.


During the 2024 Tompkins Wake Rotorua Business Awards, Aronui Drone Show won the Mountain Jade award for Creative Arts and Design. The festival's centerpiece was also a finalist in Scion's Innovation and Technology category.


One of India’s largest umbrella bodies for film and cultural development has partnered with the Third Culture Film Festival (TCFF) in Tauranga for an exciting creative alliance aimed at supporting film and creative exchanges between India and New Zealand.


With a focus on film, TCFF Founder & Director Harry Oram says: "International creative diplomacy can start right here in the Bay of Plenty — and ripple out to the world".


The Mentor & Mascot Indian Film Federation (MMIFF) will establish the MMIFF India–New Zealand Art, Culture, Film & Entertainment Forum as part of the collaboration.


Oram said the new platform is dynamic and committed to fostering international collaboration and cultural exchange between the two nations.


“This is about more than just film, it’s about building meaningful relationships between our communities, our students, and our industries — from Tauranga to Mumbai and beyond.”


One module, The Joint Youth Short Film Labs, aims to pair emerging filmmakers from NZ and India to create cross-cultural films under shared mentorship, culminating in screenings at both TCFF and MMIFF festivals.


  MMIFF Chairperson, Mr. Jitender Sharma said the partnership is more than a collaboration, "it’s a bridge between two cultures”.


"As an association for creatives, we are focused on effectively promoting diversity, equity, and inclusion (DEI). Our mission is to enhance and promote Indian culture, heritage, and dignity worldwide.


"We aim to support one another and celebrate accomplishments across all areas of specialization. It is our responsibility to uphold DEI in all aspects of our operations, including our membership, policies, and

practices, and to foster an inclusive culture essential for the present and future growth of our organization."


The programme is scheduled to be rolled out as a series of initiatives under a formal knowledge-sharing agreement. Other programmes include a Joint Youth Short Film Labs that will pair emerging filmmakers from NZ and India; Reciprocal Festival Showcases such as an India Spotlight at TCFF 2026 and Third Culture programme blocks at MMIFF’s international events; Virtual Residencies & Masterclasses offering filmmakers and students access to collaborative training, script labs; and insights into each other’s creative industries.


There will also be a Joint Award for the best student film from the Labs Programme.


For more information, contact tcff@gmail.com




“Leave your morals and maturity at home and come out for a great night laughing at stuff you shouldn’t.” That's producer, actor and screenwriter Matt Hicks.


Bringing eight metres of red carpet to the Luxe Cinema in Tauranga tonight, he is stoked to be touring his debut movie, The Tavern. 


Set in Cambridge New Zealand, it's described as a labour of love for Hicks, who had to get through the Covid-19 lockdown as part of the process to getting it shot and on screens 


To fundraise, and pull it off, Hicks picked asparagus, worked as a DJ and hosted quiz nights, among many other jobs. 


 Focussed on delivering a “real and raw” true Kiwi film that showcases life in New Zealand’s mighty Waikato, Hicks said much of his work as a producer, has been about showcasing rural New Zealand. 


Working with the team that brought ‘Home Kills’ (2023) to the screen, he told Dhaivat Mehta of TCFF Talks Podcast, including a rural voice where people speak with “that yuck Waikato accent” and are “very free with the swearing” was part of his story. 


Starring Ben Lummis (New Zealand Idol) and Josh McKenzie (Shortland Street) the film is about five small town guys who have a race against time to save their beloved, yet run down tavern from an evil Auckland property developer with sinister plans.


Hicks also acts in it, and plays a 29-year-old slacker who works part-time at his best friend’s famous older brother’s Cambridge Laundromat.

The Tavern is a run-down, eye-sore frequented by few customers with only the annual stripper night drawing a crowd. 


“It is in bad taste, let me tell you!” Hick said. 


So far, after hosting launch nights in Cambridge, Rotorua and Hamilton, he’s had people coming out of the cinema beaming with laughter.


"It's just got that Kiwi humour, it was so funny," one punter said, holding a can of Hick's brand of beer, which he called ‘Piss’.


Unable to use any well-known beer brands in the film, Hicks invented a brand for the Tavern clientele to drink in the movie. 


Matt Hicks created his own brand of beer for The Tavern movie. Photo/ TCFF
Matt Hicks created his own brand of beer for The Tavern movie. Photo/ TCFF


“The film’s pretty offensive and enjoyable nonsense. If you’re looking for The Piano or Power of the Dog, this is not for you. It’s more a hark back to silly Adam Sandler or Will Ferrell stuff - but in a Kiwi pub,” Hicks said.


“Underneath all the crude jokes and silly stuff, it’s ultimately a story about being happy where you are with the people you are with. It’s a story about home and friendship. Even if your home is a crappy pub and your friends are degenerates.”


After a five-year haul, Hicks says “I've got like an indie feature creatives, emotional support group - Josh Hamblin that made the The Red Admiral and Floris Van Gaalen who made Darkest Light - we'll constantly be on the phone to each other just offloading, you know, venting.

 

“It's really, really good to have those like-minded creatives scattered around the country, that know how stupid and painful it is.”


Hicks says making The Tavern required a lot of patience. “I wrote a similar kind of themed thing many moons ago, and it never came into fruition… I had a bit of a life crisis. So that never happened.”


“It was always inside me that I wanted to do it, but I don't know, sometimes you just have to wait for the time to be right, you know, the universe to be right.”


Another special feature of the film is the music. Casting Lummis, the first New Zealand idol winner was one highlight, but so was writing the movie’s theme song ‘Last one standing’ which was written by one of The Tavern’s actors’, and sung by Hick’s mate, Scott de Rooy.


“I used to DJ on Kiwi FM, which was a 100% New Zealand music station…I’m all about Kiwi music, it’s like my kaupapa.”


“We start off with the Datsuns…they’re from Cambridge, so that was really, really important to me.”


“It’s a really good Kiwi soundtrack eh, search it up on Spotify, it’s really good.”


Touring the film through New Zealand, Hicks said connecting with fans and new audiences is a big part of the fun for him but, pushing 40, he's also looking forward to taking a break after Sunday, when The Tavern's premier tour ends.  


“We're right in the heat of battle at the moment, you know, that this is kind of the last stage of the war really.


“Once the tour is wrapped I'm really, really tired and I want to get to the gym and go down to the park with my daughter and my little Sonny boy.

“And just be a good dad. Then in 2026, go hard and do it all over again,” Hicks said.


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